Вилла Швоб в Ла-Шо‑де-Фоне (1914–1916) подытоживает античные и немецкие впечатления Ле Корбюзье, совмещая классицистические мотивы различного происхождения (от Помпей до Палладио) со стилистикой немецкого Веркбунда. Молодой Корбюзье не пренебрегал ордерными формами, позднее изгнанными из его словаря. Эркер виллы, первый из его «домов на столбах», стоит на упрощенных классических колоннах!
The birth of architectural modernism from the spirit of antiquity

Authors

  • Petr Zavadovsky MArchI

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DOI:

https://doi.org/10.51461/projectbaikal.66.1728

Keywords:

Le Corbusier, modernism, antiquity, Acropolis, Parthenon, F. Nietzsche

Abstract

The article focuses on the role of antiquity in general and the Athenian Acropolis in particular in the formation of Le Corbusier’s creative individuality and the key subjects and ideas of his works.

How to Cite

Zavadovsky, P. (2021). The birth of architectural modernism from the spirit of antiquity. Project Baikal, 17(66), 118–125. https://doi.org/10.51461/projectbaikal.66.1728

Published

2021-03-13

Issue

No. 66 (2020): succession

Section

refereed articles

License

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Author Biography

Petr Zavadovsky, MArchI

architect, Ass. Professor of the Department of Architecture of Residential Buildings, MArchI

References

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