Trotzdem (Nevertheless) Authors Elena Bagina Ural Federal University named after B. N. Yeltsin Downloads pdf (Русский) DOI: https://doi.org/10.51461/projectbaikal.66.1721 Keywords: Adolf Loos, biography, architecture, Raumplan planning method, protagonist architect Josef Hoffmann, Art Deco as a worldview Abstract Adolf Loos’s works, regardless of all the circumstances, have been relevant for more than a century. Although Loos is called a functionalist, his architecture is beyond this definition. Loos can be considered as a master of Art Deco, if Art Deco is regarded as a worldview. Adolf Loos expressed his views on the nature of architecture in a number of articles and essays. The ideas expressed by Loos are not yet fully comprehended by architectural theorists. His Raumplan (Spatial Plan) is a unique planning method. How to Cite Bagina, E. (2021). Trotzdem (Nevertheless). Project Baikal, 17(66), 76–83. https://doi.org/10.51461/projectbaikal.66.1721 More Citation Formats ACM ACS APA ABNT Chicago Harvard IEEE MLA Turabian Vancouver Download Citation Endnote/Zotero/Mendeley (RIS) BibTeX Published 2021-03-13 Issue No. 66 (2020): succession Section refereed articles License This work is licensed under a Creative Commons Attribution 4.0 International License. Author Biography Elena Bagina, Ural Federal University named after B. N. Yeltsin Ph.D. in Architecture, Ass. Professor at Institute of Construction of Ural Federal University named after B. N. Yeltsin (Yekaterinburg) References Gnedovskaya, T. (2016). Adolf Loos: paradoksy zdravogo smysla [Adolf Loos: paradoxes of common sense]. http://theatre.sias.ru/upload/isk_2016_1-2_470-501_Gnedovskaya.pdf Ikonnikov, A. V. (Ed.) (1972). Mastera arkhitektury ob arkhitekture. Zarubezhnaya arkhitektura. Konets XIX-XX veka: Izbrannye otryvki iz vystuplenii i traktatov [Masters of architecture about architecture. oreign architecture. Late 19-20th centuries: selected abstracts from speeches and essays]. http://books.totalarch.com/masters_of_architecture_about_architecture Kubinszky, M. (1970). Adolf Loos. Berlin: Henschelverlag Kunst und Gesellschaft. Levy-Bruhl, L. (1930). Pervobytnoe myshlenie: monofrafiya [Primitive mentality: monography] (V. K. Nikolsky, & A. V. Kissin, Eds.). XXXI. Rossiiskaya gosudarstvennaya biblioteka. https://search.rsl.ru/ru/record/01009211546 Loos, A. (1931). Trotzdem. 1900–1930. Innsbruck: Brenner-Verlag. Loos, A. (2016). Pochemu muzhchina dolzhen byt khorosho odet [Why a man should be well-dressed]. Moscow: Strelka Press. Loos Sämtliche Schriften.pdf/152. (2019). In Wikisource. Retrieved July 10, 2020, from https://de.wikisource.org/wiki/ Nordau, M. (2017).Vyrozhdenie [Degeneration] (R. I Sementkovsky, Trans.). http://az.lib.ru/n/nordau_m/text_1892_entartung.shtml Shatalov, A. (2016, October 5). Pokhvala zanudstvu: biografiya i esse Adolfa Loosa [Praising of prolixity: Adolf Loos’s biography and essays]. Gorky. https://gorky.media/reviews/adolf-loos-pochemu-muzhchina-dolzhen-byt-horosho-odet/ Shiferer, B. (2014). Zhenshchiny Veny v evropeiskoi culture. Lina Loos [Vienna women in European culture. Lina Loos]. https://litresp.ru/chitat/ru/%D0%A8/shiferer-beatriks/zhenschini-veni-v-evropejskoj-kuljture/9 Vsemirnay vystavka (1893) [The World Exhibition (1893)]. (2020). In Wikipedia. Retrieved July 10, 2020, from https://ru.wikipedia.org/wiki/