Art Deco. Poetics of Poison Authors Petr Kapustin Voronezh State Technical University Downloads PDF (Русский) DOI: https://doi.org/10.7480/projectbaikal.62.1561 Keywords: Art Deco; style; architecture and design; styling; streamline; Avant-Garde; Modernism; power and design; future of the architectural activity Abstract The many-sidedness of the Art Deco phenomenon attracts more and more attention. The term itself is polemical, as well as its analogues, the acceptable extension of the “range” of this style, its extension to phenomena and monuments of different years and regions. The author tries to introduce readers to the atmosphere of Art Deco in its “core” manifestations, first of all, in the American architecture and design of the 1920-1940s. As the author believes, without such exposure, we can understand neither the meaning of the phenomenon, nor its lessons for our time, which is increasingly tending to something like this. How to Cite Kapustin, P. (2019). Art Deco. Poetics of Poison. Project Baikal, 16(62), 138–147. https://doi.org/10.7480/projectbaikal.62.1561 More Citation Formats ACM ACS APA ABNT Chicago Harvard IEEE MLA Turabian Vancouver Download Citation Endnote/Zotero/Mendeley (RIS) BibTeX Published 2019-12-04 Issue No. 62 (2019): stylistics XX Section Articles References Bachelard, G. (1998). Voda i gryozy. Opyt o voobrazhenii materii [Water and dreams. An essay on the imagination of matter]. Moscow: Izd-vo gumanitarnoi literatury. Baudrillard, J. (2000). Simvolicheskii obmen i smert’ [Symbolic exchange and death]. Moscow: Dobrosvet. Kapustin, P. (2018). Conversion of Design. Project Baikal, 15(55), 142-147. doi:10.7480/projectbaikal.55.1306 Shefranovskiy, I. I. (1985). Simmetriya v prirode [Symmetry in nature]. Leningrad: Nedra