Art Deco. Poetics of Poison

Authors

  • Petr Kapustin Voronezh State Technical University

DOI:

https://doi.org/10.7480/projectbaikal.62.1561

Keywords:

Art Deco; style; architecture and design; styling; streamline; Avant-Garde; Modernism; power and design; future of the architectural activity

Abstract

The many-sidedness of the Art Deco phenomenon attracts more and more attention. The term itself is polemical, as well as its analogues, the acceptable extension of the “range” of this style, its extension to phenomena and monuments of different years and regions. The author tries to introduce readers to the atmosphere of Art Deco in its “core” manifestations, first of all, in the American architecture and design of the 1920-1940s. As the author believes, without such exposure, we can understand neither the meaning of the phenomenon, nor its lessons for our time, which is increasingly tending to something like this.

How to Cite

Kapustin, P. (2019). Art Deco. Poetics of Poison. Project Baikal, 16(62), 138–147. https://doi.org/10.7480/projectbaikal.62.1561

Published

2019-12-04

Issue

Section

Articles

References

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Baudrillard, J. (2000). Simvolicheskii obmen i smert’ [Symbolic exchange and death]. Moscow: Dobrosvet.

Kapustin, P. (2018). Conversion of Design. Project Baikal, 15(55), 142-147. doi:10.7480/projectbaikal.55.1306

Shefranovskiy, I. I. (1985). Simmetriya v prirode [Symmetry in nature]. Leningrad: Nedra