Art Deco and Vienna Authors Maria Nashchokina RAACS; Russian Academy of Arts; Scientific Research Institute of the Theory and History of Architecture and Urban Planning Downloads PDF (Русский) DOI: https://doi.org/10.7480/projectbaikal.62.1560 Keywords: Art Deco style; Art Nouveau Style; Viennese architectural school of the late 19 – early 20 century; Viennese workshops; J. Hoffman; Stoclet Palace; 1925 Paris International Exhibition Abstract The article considers the formation of the Art Deco style in the Viennese architectural school and highlights the role of Josef Hoffman in the emergence of a new stylistic theme formally opposite to Art Nouveau. The article studies the change in the function of decoration in the architectural image through the example of A. Stoclet Palace in Brussels. The relation of Hoffman’s individual artistic language to the development of the Art Deco style was demonstrated in the architecture of the pavilions at the 1925 Paris International Exhibition. Similarity of Art Deco and Art Nouveau was in the origin, in comprehension of the “great style” lasting for almost the entire 20th century. How to Cite Nashchokina, M. (2019). Art Deco and Vienna. Project Baikal, 16(62), 126–137. https://doi.org/10.7480/projectbaikal.62.1560 More Citation Formats ACM ACS APA ABNT Chicago Harvard IEEE MLA Turabian Vancouver Download Citation Endnote/Zotero/Mendeley (RIS) BibTeX Published 2019-12-04 Issue No. 62 (2019): stylistics XX Section Articles References Berseneva, A. A. (1991). Evropeiskii modern: venskaya arkhitekturnaya shkola [European modern: Viennese architectural school]. Yekaterinburg. De Michele, G. (2010). Ot ar-nuvo k ar-deko [From Art Nouveau to Art Deco] In Umberto Eco (Ed.), Istoriya krasoty [History of beauty]. Moscow: Slovo. Haet, E. (2009). Venskie masterskie: ot moderna k ar-deko [Viennese workshops: from Modern to Art Deco]. In Iskusstvo epokhi modernizma: stil’ ar-deko. 1910-1940 gody (p. 88). Moscow. Hait, V. L., & Nashchokina, M. V. (1998). Neo-Ar-Deko 1980-1990-kh godov i tvorchestvo Sezara Pelli [Neo Art Deco of the 1980-1990s and Cesar Pelli’s creative activity]. In Aktualnye tendentsii v zarubezhnoi arkhitekture i ikh mirovozzrencheskie i stilevye poiski (p. 74). Moscow: NIITIAG. Hait, V. L., & Nashchokina, M. V. (2000). Vzaimodeistvie avangarda i ar-deko v mirovom protsesse razvitiya stilya [Interaction of Avant-Garde and Art Deco in the world process of style development]. In Russkii avangard 1910-1920-kh godov v evropeiskom kontekste (pp.198-199). Moscow: Nauka. Loktev, V. I. (2009). Istoriya i sovremennye problemy izucheniya stilya Ar-deko [History and contemporary problems of studying the Art Deco style]. In Iskusstvo epokhi modernizma: stil’ ar-deko. 1910-1940 gody (p.30). Moscow. Malinina, T. G. (2005). Formula stilya. Ar-deko: istoki, regionalnye varianty, osobennosti evolyutsii [The style formula: Art Deco: sources, regional variations, peculiarities of evolution]. Moscow. Nashchokina, M. V. (2008). Tvorchestvo J-M. Olbricha [J-M. Olbrich’s creative activity]. In Naedine s muzoi arkhitekturnoi istorii (pp. 248-249). Moscow: Izdatelstvo “Ulei”. Nashchokina, M. V., & Hait, V. L. (n.d.). Arkhitektura Ar-deko: genesis i traditsiya [Architecture of Art Deco: genesis and tradition]. Iskusstvoznanie, 2/99 (XV), 534. Petukhov, A. (2002). Ar-deko i khudozhestvennaya zhizn’ Frantsii pervoi chetverti XX veka [Art Deco and artistic life of France in the first quarter of the 20th century]. Moscow. Sarnitz, A. (2007). Josef Hoffman. 1870–1956. In the Realm of Beauty. Koln. Fahr-Becker, G. (2003). Wiener Werkstatte. 1903–1932. Koln. Saveliev, Yu. R. (2003). N. V. Sultanov – arkhitektor Yusupovykh [N. V. Sultanov , the architect of the Yusupovs]. Russkaya usadba. Sbornik OIRU, 9(25), 351. Moscow: Izdatelstvo “Zhiraf”. Vena na zare XX-go stoletiya: catalog 136 vystavki Istoricheskogo muzeya goroda Veny [Vienna in the early 20th century: catalogue of the 136 Exhibition of the Vienna Historical Museum]. (1990, October 4 – November 18).