Strategies of Theatricalization in the Urban Interior Authors Petr Kapustin Voronezh State Technical University Rodislava Lesnevska Downloads PDF (Русский) DOI: https://doi.org/10.7480/projectbaikal.56.1321 Keywords: architectural form, urban interior, theatre, theatricalization, the theatrical in architecture, the spectacular in architecture Abstract About one hundred years ago, architects attempted to rely on ‘honesty of expression’ in architectural forms. It concerned everything, including things external to architecture. The attempt did not produce convincing results. The initial postulates proved to be false. Architecture becomes estranged from the ‘external’ objectivistic determination: it is the source of meanings and emotions in itself. It also means acceptance of theatricalization as a basic strategy of architectural activity, whatever forms and techniques are used. This strategy has a centuries-long history and includes several varieties, which are differentiated in the article. How to Cite Kapustin, P., & Lesnevska, R. (2018). Strategies of Theatricalization in the Urban Interior. Project Baikal, 15(56), 52–58. https://doi.org/10.7480/projectbaikal.56.1321 More Citation Formats ACM ACS APA ABNT Chicago Harvard IEEE MLA Turabian Vancouver Download Citation Endnote/Zotero/Mendeley (RIS) BibTeX Published 2018-08-13 Issue No. 56 (2018): interior of the city Section Articles References Azizyan, I. A., Dobritsyna, I. A., & Lebedeva, G. S. (2002). Teoriya kompositsii kak poetika arkhitektury [The theory of composition as poetics of architecture]. Moscow: Progress-Traditsiya. Barthes, R. (1971). Semiologiya i gradostroitelstvo [Semiology and Urbanism]. Sovremennaya arkhitektura, 1. Barthes, R. (1996). Mifologii [Mythologies]. (S. N. Zenkin, Trans.). Moscow: Izdatelstvo im. Sabashnikovykh Baudrillard, J. Soblazn [Seduction]. Moscow: Ad Marginem. 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