On the “Alive Foxes in a Furrier’s Shop”, Proletarian Culture and Petty-Bourgeois Households Authors Elena Bagina Institute of Construction of Ural Federal University named after B. N. Yeltsin Downloads PDF (Русский) DOI: https://doi.org/10.7480/projectbaikal.53.1224 Keywords: history of Soviet art and architecture, black-and-white models, absurdity of the post-revolutionary reality, contradictions, discrepancy of the existing historical models with the real life Abstract While taking black or white threads from the fanciful, absurdist and far from black-and-white pattern woven by the time of changes into the strong fabric of the Soviet history of the 1920s-30s, we get simple models of the real life processes. Basing on such models, we get an opinion, that avant-garde art and architecture of the 20s had a great support in the post-revolutionary society, the voluntary twist toward “implementation of classics” was irreparably wrong, and the twist toward modernism in the 60s was too late, that is why architecture of that period was secondary. The refusal of these simple models in interpretation of the history of Soviet architecture and art is a matter of course. How to Cite Bagina, E. (2017). On the “Alive Foxes in a Furrier’s Shop”, Proletarian Culture and Petty-Bourgeois Households. Project Baikal, 14(53), 91–95. https://doi.org/10.7480/projectbaikal.53.1224 More Citation Formats ACM ACS APA ABNT Chicago Harvard IEEE MLA Turabian Vancouver Download Citation Endnote/Zotero/Mendeley (RIS) BibTeX Published 2017-09-26 Issue No. 53 (2017): cui prodest Section Articles