An Urban Colour Space in the Context of Culture Authors Olga Zheleznyak Institute of Fine Arts, Humanities and Social Sciences of INRTU; Union of Designers of Russia; Union of Architects of Russia Downloads PDF (Русский) DOI: https://doi.org/10.7480/projectbaikal.45.900 Keywords: colour space, urban environment, ambivalence of colour, colour culture, colour norms and canons, mastering, colour and light transformations, worldviews, urban colouristics Abstract A colour space is seen as an actual discourse when discussing problems of formation and inhabitation of the modern city environment. The key aspect of such understanding is an activity-cultural interpretation of the urban environment colouristics proposed by the author, which allows building of an integral sphere of colour existence. This model of working with colour includes basic components and structures a colour space, while matching up all the elements (basic paradigms that provide proper functioning and development of the colour space; mechanisms of formation of colour paradigms; processes of formation and transformation of cultural norms and stereotypes; the culture of colour as a holistic unit that penetrates the variety of colour space forms, as well as the reality of colour establishment in the framework of human culture; the urban colouristics as a material and virtual, artificial and natural, organized and spontaneously appearing colour reality together with professional and conventional visions of it, etc.). How to Cite Zheleznyak, O. (2015). An Urban Colour Space in the Context of Culture. Project Baikal, 12(45), 103–111. https://doi.org/10.7480/projectbaikal.45.900 More Citation Formats ACM ACS APA ABNT Chicago Harvard IEEE MLA Turabian Vancouver Download Citation Endnote/Zotero/Mendeley (RIS) BibTeX Published 2015-08-24 Issue No. 45 (2015): urbanship Section Articles References Drevnekitaiskaya filosofia [The old Chinese philosophy (1972) (Vol 1, p.118). Moscow. Gage, J. (1999). Color and Meaning: Art, Science, and Symbolism. Los Angeles: University of California Press. Linch, K. (1986). Sovershennaya forma v gradostroitelstve [A perfect form in urban planning]. Moscow: Stroiizdat. Oberascher, L. (1990). Memory for Colours: Evidence for a Universal Colour Language ? Colour for town. Moscow, 218-224. Tyukhteneva, S. N. (1994). O simvolike tsveta v culture altaitsev [About colour symolics in the Altaians’ culture]. Gorno-Altaysk (p.61). Zheleznyak, O. E. (2013), Tsvet. Gorod. Kultura (Colour. City. Culture). Irkutsk: Izd-vo IRGTU.