The spire. Jabbing the sky Authors Petr Kapustin Voronezh State Technical University Elena Bagina Ural Federal University named after B. N. Yeltsin Downloads PDF (Русский) DOI: https://doi.org/10.51461/issn.2309-3072/83.2482 Keywords: spire, spire symbolism, traditional and articulated form, ‘expressiveness’ in architecture, architectural phenomenology Abstract The spire is a strange, specific architectural detail that has become widespread throughout the world. The origin of this detail and its purpose are not entirely clear. The appearance of spires in the history of European architecture is a symptom of profound changes in the shape formation, in the very view of architecture, and in the image of the building. We have not yet fully realized these changes. The symbolism, mythopoetics, and phenomenology of spires are timeless, like the spire itself, figures of cultural heritage that connect times, ‘stitching’ history into a continuous fabric of meanings and senses. How to Cite Kapustin, P., & Bagina, E. (2025). The spire. Jabbing the sky . Project Baikal, 22(83), 60–67. https://doi.org/10.51461/issn.2309-3072/83.2482 More Citation Formats ACM ACS APA ABNT Chicago Harvard IEEE MLA Turabian Vancouver Download Citation Endnote/Zotero/Mendeley (RIS) BibTeX Published 2025-04-20 Issue No. 83 (2025): future of the past Section refereed articles License This work is licensed under a Creative Commons Attribution 4.0 International License. References Aristotle. (1976). Metaphysics. In Works in 4 volumes (Vol. 1). Moscow: Mysl. Bagina, E. (2019). Art Deco: the Western Hedonism and the Soviet Romanticism. Project Baikal, 16(62), 120 – 125. https://doi.org/10.7480/projectbaikal.62.1559 de Sade, A. (2003). Juliette: Novel. In 2 volumes (Vol. II). St. Petersburg: Prodolzhenie zhizni. Florenskii, P. A. (n.d.). Tochka [Point]. Retrieved December 2, 2024, from https://vk.com/@metaphysicwoman-pavel-florenskii-tochka Golding, W. (2004). The spire. St Petersburg: Azbuka-klassika. Kapustin, P. (2018). Obelisk. Project Baikal, 15(56), 76 – 79. https://doi.org/10.7480/projectbaikal.56.1326 Kapustin, P. (2020). The Tower. Project Baikal, 17(63), 110 – 117. https://doi.org/10.7480/projectbaikal.63.1606 Kapustin, P.V. (2024). Vault and Dome. To the Phenomenology of Architectural Forms. Architectural Research, 2(38),13–19. Ladovsky, N. A. (1975). Osnovy postroeniya teorii arkhitektury (pod znakom ratsionalisticheskoi estetiki [Fundamentals of constructing a theory of architecture (under the sign of rationalistic aesthetics)]. In Masters of Soviet architecture on architecture. In 2 volumes (Vol. 1., рр. 347–352). Moscow: Art. Nikitin, V. A. (1989). K issledovaniyu arkhitekturnoi teorii evropeiskogo Srednevekovya [To the study of the architectural theory of the European Middle Ages]. In Methodological problems of modern architectural studies: Collection of scientific works of VNIITAG (pp. 130–137). Moscow. Ovsyannikov, Yu. M. (1987). Dominico Trezzini. Leningrad: Iskusstvo. Panofsky, E. (2004a). Goticheskaya arkhitektura i skholastika [Gothic architecture and scholasticism]. In Perspective as a “symbolic form”. Gothic architecture and scholasticism (рр. 213-325). St Petersburg: Azbuka-klassika. Panofsky, E. (2004b). The ideological antecedents of the Rolls-Royce radiator. In Pevzner, N., English in English art. St Petersburg: Azbuka-klassika. Shpilman. (2024, August 8). In Wikipedia. Retrieved December 2, 2024, from https://ru.wikipedia.org/wiki/Shpilman Wölfflin, G. (2004). Renaissance and Baroque. St Petersburg: Azbuka-klassika. Yanushkina, Yu. I. (n.d.). Arkhitektura Stalingrada 1925-1961. Obraz goroda v culture i ego voploshchenie [Architecture of Stalingrad 1925-1961. The image of the city in culture and its embodiment]. Klex. Retrieved December 1, 2024, from https://www.klex.ru/1o53 Zizek, S. (2016). Organs without Bodies. Deleuze and Consequences. Taylor & Francis Group. Retrieved December 2, 2024, from https://www.taylorfrancis.com/books/mono/10.4324/9780203699874/organs-without-bodies-slavoj-zizek