Exoticism of the East at the 1900 Universal Exhibition in Paris and its echoes Authors Maria Nashchokina Russian Academy of Arts Downloads PDF (Русский) DOI: https://doi.org/10.51461/issn.2309-3072/82.2430 Keywords: architect A. Marcel, motifs of Hindu architecture, temples of India and Cambodia, Baron Empain Palace in Cairo, Narzan Carbonic Baths in Kislovodsk, architect A. N. Klepinin Abstract The article considers how the 1900 Universal Exhibition in Paris influenced the appearance of buildings that used images and forms of ancient monuments of India and South-East Asia. The Exhibition made it possible to learn more about the exotic culture of those countries, including the works of architect A. Marcel (Cambodia Pavilion and Panorama ‘Voyage Around the World’). He designed the Baron Empain Palace in Cairo, which reproduces the forms of temples in India and Cambodia. The article studies Russian examples of the use of such forms (Narzan Carbonic Baths in Kislovodsk), as well as the decoration associated with this exotic trend (reliefs of elephants in a guest house in Samara and their sculptures at Samara merchant K. Golovkin’ summer house). How to Cite Nashchokina, M. (2024). Exoticism of the East at the 1900 Universal Exhibition in Paris and its echoes. Project Baikal, 21(82), 60–67. https://doi.org/10.51461/issn.2309-3072/82.2430 More Citation Formats ACM ACS APA ABNT Chicago Harvard IEEE MLA Turabian Vancouver Download Citation Endnote/Zotero/Mendeley (RIS) BibTeX Published 2024-12-30 Issue No. 82 (2024): space Section refereed articles License This work is licensed under a Creative Commons Attribution 4.0 International License. References Bacot, J.-P. (2005). ‘Le Tour du monde’, dans La Presse illustrée au XIXe siècle: une histoire oubliée (pp. 95-98). Limoges: PULIM. Baron Empain. (n.d.). Face Collection. Retrieved July 22, 2024, from http://facecollection.ru/people/baron-empeyn Dubyansky, A. M. (1996). Khram iduitskii [Hindu Temple]. In Hinduism. Jainism. Sikhism. Moscow: Respublika. Farhat Art Museum Collection. (n.d.). Louis Jules Dumoulin (1860-1924). Orientalist Artworks. Retrieved July 20, 2024, from https://orientalistarts.wordpress.com/2015/08/06/louis-jules-dumoulin Japanse Toren en Chinees Paviljoen beschermd als erfgoed (2019, December 12). Bruzz. Retrieved July 20, 2024, from https://www.bruzz.be/culture/cultural-news/japanse-toren-en-chinees-paviljoen-beschermd-als-erfgoed-2019-12-12 Luzin, S. S. (2021, October 6). Zodchii Andrei Klepinin [Architect Andrei Klepinin]. Kislovodskaya gazeta. Retrieved August 22, 2024, from http://kisgazeta.ru/novosti/zodchij-andrej-klepinin.html?ysclid=lr0ei9ht4q862794135 Marcel, A. (1924). Orientalisme et Architecture Contemporaine, compositions décoratives et architecturalles. Paris: Editions Albert Mornacé. Ostroumova-Lebedeva, A. (1945). Avtobiograficheskie zapiski [Autobiographical notes] (Vol. 2, pp. 199-200). Leningrad: Iskusstvo. Rastogi, T. (2023, May). Study of North Indian-Style or Nagara Style of Indian Architecture in the Temples of Gwalior Fort. In Geologic Heritage, Traces of Ancient Life and Preserved in Earth’s Crust by Natural Processes (pp. 1-14). Retrieved August 22, 2024, from https://www.researchgate.net/publication/370843563 Rousselet, L. (n.d.). Panorama du Tour du Monde - Expo Paris 1900. Worldfairs. Retrieved August 20, 2024, from https://www.worldfairs.info/expopavillondetails.php?expo_id=8&pavillon_id=2411 Shpakov, I. V. (2008). Belgiisky period russkogo tramvaya [Belgian period of the Kursk tramway]. Kurskiy krai, 7-8, 108-109. Vlasov, V. G. (2010). Chinoiserie. In New Encyclopaedic Dictionary of Fine Arts: in 10 vols. (Vol. 10, pp. 567). St. Petersburg: Azbuka-Klassika. Volait, M. (2009). Dans l’intimité des objets et des monuments: l’orientalisme architectural vu d’Égypte (1870-1910). Orcid. Retrieved August 22, 2024, from https://orcid.org/0000-0001-5239-7909 Volait, M., & Minnaert, J.-B. (n.d.). Héliopolis, création et assimilation d’une ville européenne en Égypte au XXe siècle. OpenEdition Books. Retrieved July 22, 2024, from http://books.openedition.org/pufr/3077 Vozvrashchayas k Golovkinu [Returning to Golovkin]. (2006). Samara: Agni.