About mental and real axes Authors Elena Bagina Ural Federal University named after B. N. Yeltsin Downloads PDF (Русский) DOI: https://doi.org/10.51461/projectbaikal.72.1985 Keywords: axis, mental axis, real axis, architecture, order, power, world picture, symmetry, asymmetry Abstract Axis is a term for many things: the axis of a cart, the axis of rotation, the axis of coordinates, the axis of symmetry... Originally, the axis was a part of a cart to which the wheels are attached. In a cart, it is visible and material, but more often the axis is understood as an imaginary straight line, which gives an idea of the peculiarities of the formation of the object and the ways of its ordering. It is naive to think that the order of forming-up of an architectural object is subject only to the architect’s own will, that architects draw the axis as they wish, especially when designing iconic buildings related to religion or power. Drawing the axes in architecture and urban planning follows the symbolic scheme of the currently dominant picture of the world. How to Cite Bagina, E. (2022). About mental and real axes. Project Baikal, 19(72), 96–102. https://doi.org/10.51461/projectbaikal.72.1985 More Citation Formats ACM ACS APA ABNT Chicago Harvard IEEE MLA Turabian Vancouver Download Citation Endnote/Zotero/Mendeley (RIS) BibTeX Published 2022-06-24 Issue No. 72 (2022): linearity Section refereed articles License This work is licensed under a Creative Commons Attribution 4.0 International License. References Belenky, A. (2017). Sotvorenie Rima [Creation of Rome]. Retrieved March 20, 2022, from https://www.kommersant.ru/doc/3331597 Goethe, I. W. (1985). Selected works in two volumes. Moscow: Pravda. Grigoryeva, E., & Meerovich, M. (2013). Public spaces in the city. Project Baikal, 10(35), 42-51. https://doi.org/10.7480/projectbaikal.35.14 Jaspers, K. (1991). The Meaning and purpose of history. Moscow: The Republic. Kapustin, P. (2017). West East: Imagining the line. Project Baikal, 14(54), 66-70. https://doi.org/10.7480/projectbaikal.54.1251 Khokhlova, S.P. (2005). Semantika dvortsovo-parkovogo ansamblya Verslya [Semantics of the palace and park ensemble of Versailles]. Retrieved March 10, 2022, from https://new–disser.ru/_avtoreferats/01002745248.pdf Konkova, E. A. (2002). Versal. Korolevskaya simvolika. Korol-solntse [Versailles. Royal symbolism. Sun King]. Retrieved March 27, 2022, from https://mnogoslovs.ru/библиотека/Версаль-Е-А-Конькова-2002-4 Rabinowitch, E. G. (1980). Seredina mira [The Middle of the World]. In Myths of the Peoples of the World (Vol. 2, pp. 428-429). Moscow: Soviet Encyclopedia. Shirokorad, A. (2022). Zenitnye orudiya v golove statui Lenina[Antiaircraft guns in the head of the Lenin statue]. Retrieved March 15, 2022, from https://www.popmech.ru/technologies/6801-s-pushkoy-v-goloveprotivovozdushnyy- ilich/ Tolstoy, A. N. (1982). Emigranty: Povesti i rasskazy [Emigrants: novels and stories]. Moscow: Pravda. Weyl, H. (1968). Symmetry. Moscow: Nauka. Zolotoi dom Nerona – Domus Aurea [Nero’s “Golden House” – Domus Aurea] (n.d.). Retrieved March 23, 2022, from http://arx.novosibdom.ru/node/1591