The apology of crack Authors Leonid Salmin Ural State University of Architecture and Art Downloads PDF (Русский) DOI: https://doi.org/10.51461/pb.74.21 Keywords: crack, surface, alternative, methodology, optics, civilization, culture, cognition Abstract This article presents the experience of semantic and philosophicalsymbolic interpretation of the image of a crack, break or rupture in a broad context of cultural evolution, and, above all, in its contemporary conceptual and cultural-methodological meaning. The crack is viewed as an alternative to superficiality, as a concept of indepth optics, as a condition of a penetrating view on the destiny of history and cognition, art and education, architecture and urbanism. How to Cite Salmin, L. (2023). The apology of crack. Project Baikal, 19(74), 122–127. https://doi.org/10.51461/pb.74.21 More Citation Formats ACM ACS APA ABNT Chicago Harvard IEEE MLA Turabian Vancouver Download Citation Endnote/Zotero/Mendeley (RIS) BibTeX Published 2023-01-05 Issue No. 74 (2022): alternatives Section refereed articles License This work is licensed under a Creative Commons Attribution 4.0 International License. References Malevich, K. S. (n.d.). Theatre (manuscript). Retrieved October 30, 2022, from http://kazimirmalevich.ru/t5_1_1_12/ Salmin, L. Yu. (2018). Dom sveta. Vidimoe i nevidimoe v mire vizualnoi kultury [House of Light. The visible and invisible in the world of visual culture]. Yekaterinburg: Studio GRAFO.