The apology of crack

Authors

  • Leonid Salmin Ural State University of Architecture and Art

DOI:

https://doi.org/10.51461/pb.74.21

Keywords:

crack, surface, alternative, methodology, optics, civilization, culture, cognition

Abstract

This article presents the experience of semantic and philosophicalsymbolic interpretation of the image of a crack, break or rupture in a broad context of cultural evolution, and, above all, in its contemporary conceptual and cultural-methodological meaning. The crack is viewed as an alternative to superficiality, as a concept of indepth optics, as a condition of a penetrating view on the destiny of history and cognition, art and education, architecture and urbanism.

How to Cite

Salmin, L. (2023). The apology of crack. Project Baikal, 19(74), 122–127. https://doi.org/10.51461/pb.74.21

Published

2023-01-05

Issue

Section

refereed articles

References

Malevich, K. S. (n.d.). Theatre (manuscript). Retrieved October 30, 2022, from http://kazimirmalevich.ru/t5_1_1_12/

Salmin, L. Yu. (2018). Dom sveta. Vidimoe i nevidimoe v mire vizualnoi kultury [House of Light. The visible and invisible in the world of visual culture]. Yekaterinburg: Studio GRAFO.