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DOI:
https://doi.org/10.51461/pb.74.21Keywords:
crack, surface, alternative, methodology, optics, civilization, culture, cognitionAbstract
This article presents the experience of semantic and philosophicalsymbolic interpretation of the image of a crack, break or rupture in a broad context of cultural evolution, and, above all, in its contemporary conceptual and cultural-methodological meaning. The crack is viewed as an alternative to superficiality, as a concept of indepth optics, as a condition of a penetrating view on the destiny of history and cognition, art and education, architecture and urbanism.
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Malevich, K. S. (n.d.). Theatre (manuscript). Retrieved October 30, 2022, from http://kazimirmalevich.ru/t5_1_1_12/
Salmin, L. Yu. (2018). Dom sveta. Vidimoe i nevidimoe v mire vizualnoi kultury [House of Light. The visible and invisible in the world of visual culture]. Yekaterinburg: Studio GRAFO.