Architectural image of the Motherland: Saint Petersburg and Budapest

Authors

  • Alina Ivanova Pacific National University
  • Ekaterina Glatolenkova Pacific National University
  • Mikhail Bazilevich Pacific National University
  • Gábor Csanádi Eötvös Loránd University

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DOI:

https://doi.org/10.51461/projectbaikal.70.1909

Keywords:

national romanticism, Russian style, Magyar Secession, architectural image of the motherland, Josef Huszka, Andreas Roller, Komor and Jakab, Odon Lechner

Abstract

The article compares the prerequisites of “national renaissance” in the Russian and Austro-Hungarian empires. It analyzes the similarity and difference in the development of the Russian style and the “Magyar Renaissance” are analyzed. The authors come to the conclusion that despite the different intensions of the emergence of national romanticism, in both cases the national style evolved from an overdecorated facade architecture to the most laconic “severe”
style, which was more appropriate in the context of the beginning of the First World War. By 1914, integral ensembles appeared, which opened up the city-forming prospects of national romanticism.

How to Cite

Ivanova, A., Glatolenkova, E., Bazilevich, M., & Csanádi, G. (2021). Architectural image of the Motherland: Saint Petersburg and Budapest. Project Baikal, 18(70), 169–178. https://doi.org/10.51461/projectbaikal.70.1909

Published

2021-12-17

Issue

No. 70 (2021): infrastructure

Section

refereed articles - heritage

License

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

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