The binary star Authors Elena Bagina Ural Federal University named after B. N. Yeltsin Downloads PDF (Русский) DOI: https://doi.org/10.51461/projectbaikal.68.1802 Keywords: architecture of the Soviet avant-garde, contemporary architecture, neoclassicism, style, binary star Abstract Baroque and classicism were called a binary star. In the national architecture, the avant-garde and neoclassicism can be also called a binary star. The model of succession of styles in architecture does not reflect the real situation in the 1920-1950s. Neoclassicism and different movements of “contemporary architecture” run parallel to each other both in the West and in the USSR. In the 1920s, the avant-garde was brighter, while In the 1930-1950s in the USSR – neoclassicism. “The new world of socialism” was observed in the patterns of “contemporary architecture” by party ideologists headed by Lev Trotsky. In the 1930s, the political situation changed, and the patterns of the “new world” came down to earth and acquired historical roots. The interaction of the avant-garde and neoclassicism produced a unique style of the epoch. Unfortunately, the monuments of that epoch decay very quickly. How to Cite Bagina, E. . (2021). The binary star. Project Baikal, 18(68), 50–55. https://doi.org/10.51461/projectbaikal.68.1802 More Citation Formats ACM ACS APA ABNT Chicago Harvard IEEE MLA Turabian Vancouver Download Citation Endnote/Zotero/Mendeley (RIS) BibTeX Published 2021-08-08 Issue No. 68 (2021): socialist city Section refereed articles License This work is licensed under a Creative Commons Attribution 4.0 International License. References Bagina, E (2019). A conversation with K. N. Afanasiev, Project Baikal,16(59), 82-89. https://doi.org/10.7480/projectbaikal.59.1436 Belov, M. A. (n.d.). Proyevlennyi Iosif i skrytyi Lev v arkhitekture [Unveiled Iosif and hidden Lev in architecture]. Retrieved April 16, 2021, from https://www.facebook.com/profile.php?id=100004443222756 Blonsky, P. P. (1925). Pedologiya [Pedology]. Moscow: Rabotnik prosveshcheniya. Chuzhak, N. Iskusstvo byta [The art of household] (1927). Sovremennaya arkhitektura, 1, 22. Giedion, S. (1984). Prostranstvo, vremya, arkhitektura [Space, time, architecture] (M. V. Leonele, & I. L. Chernya, Trans.) (3rd ed.). Moscow: Stroiizdat. Ginzburg, M. Ya. (1934). Tvorcheskie puti sovetskoi arkhitektury i problema arkhitekturnogo naslediya [Creative paths of the Soviet architecture and the problem of architectural heritage]. Arkhitektura SSSR, 4, 12. Ginzburg, M. Ya. (1975). Arkhitektura sanatoriya NKTP v Kislovodske. Problemy sotsialisticheskogo realizma, 1940 g. [Architecture of the NKTP Satatorium in Kislovodsk, 1940]. In M. Barkhin (Ed.), Mastera sovetskoi arkhitektury ob arkhitekture: izbrannye otryvki iz pisem, statei, vystuplenii i traktatov. In 2 Vols. Moscow: Iskusstvo. Ginzburg, M. Ya. (2019, June 13). Stil I epokha [The style and the epoch]. Archi.ru. https://archi.ru/russia/83611/stil-i-epokha-pereizdanie Kapustin, P. (2019). Art Deco. Poetics of poison. Project Baikal, 16(62), 138-147. https://doi.org/10.7480/projectbaikal.62.1561 Khiger, R. Ya. (1929). Formalism. Ideologiya upadnichestva v Sovetskoi arkhitekture [Formalism. Ideology of decadance in the Soviet architecture]. Sovremennaya arkhitektura, 4, 143. Olesha, Yu. (n.d.). Zavist [Envy]. Retrieved April 10, 2021, from http://www.hunter.cuny.edu/classics/russian/repository/files/zawist.pdf Raboty arkhitekturnykh masterskikh [Works of architectural workshops] (1937). Vol. 2. Masterskaya № 7 [Workshop № 7]. Moscow. Rezultaty konkursa dvortsa Ligi natsii v Zheneve [Results of the competition for the Palace of the League of Nations in Geneva] (1927). Sovremennaya arkhitektura, 6, 169. Shchusev, A. V. (1933). Kak budet organizovana nasha rabota. Konets arkhitekturnoi skholastiki [How our work will be organized. The end of architectural scholasticism]. Stroitelstvo Mosckvy, 9, 8. Zavadovsky, P. (2019). Ivan Leonidov and the “Narkomtyazhprom” style. Project Baikal, 16(2), 112-119. https://doi.org/10.7480/projectbaikal.62.1544