Armenian architecture in search of its indigenous form Authors Karen Balyan IAAM; Karen Balyan Architectural and Art Studio Downloads PDF (Русский) DOI: https://doi.org/10.7480/projectbaikal.64.1634 Keywords: Armenian architecture, academician Tamanyan, national architecture, modernism, Yerevan master plan Abstract After the restoration of independence of Armenia, the process of formation of national statehood started. Academician Tamanyan worked out a master plan for Yerevan that conveyed the national idea and an architectural language based on the synthesis of classical and indigenous forms. Alongside this, the development of avant-garde forms started. The “thaw” period witnessed the emergence of the second Armenian modernism, which was again aimed at the language of contemporary architecture with compositional and spatial principles of Armenian architecture. How to Cite Balyan, K. (2020). Armenian architecture in search of its indigenous form. Project Baikal, 17(64), 52–63. https://doi.org/10.7480/projectbaikal.64.1634 More Citation Formats ACM ACS APA ABNT Chicago Harvard IEEE MLA Turabian Vancouver Download Citation Endnote/Zotero/Mendeley (RIS) BibTeX Published 2020-05-12 Issue No. 64 (2020): regional schools Section refereed articles License This work is licensed under a Creative Commons Attribution 4.0 International License. References Arkhiv Balyana K. [Archives of Balyan K.]. (1938). Manuscript, 6. Balyan, K. (2006). Gorod, smotryashchii na Ararat [A city looking out on Ararat]. Project Classica, 162–167. Balyan, K. V. (2013). Arkhitektura svobodnykh form i prostranstv. Armyanskiy modernism. 1960-e – seredina 1970-kh gg. [Architecture of free forms and spaces. Armenian modernism. The 1960s – mid of 1970s]. In O. V. Kazakova (Ed.), Estetika “ottepeli”: Novoe v arkhitekture, iskusstve, culture (pp. 174-195). Moscow. Balyan, K. (2018). Letnii kinoteatr “Moskva” [Outdoor cinema theatre “Moskva”]. Yekaterinburg: Tatlin. Erenburg, I. G. (1967). Lyudi, gody, zhizn [People, years, life]. Moscow. Israelyan, R. (1982). Vdokhnovennyi kamen [Inspired stone]. In Rafael Israelyan. Yerevan. Ivanov, A. (2014). A grey pearl of Yerevan. Project Baikal, 11(39-40), 72-76. doi: 10.7480/projectbaikal.39-40.704 Khan-Magomedov, S. O. (1996). Arkhitektura sovetskogo avangarda: V 2 kn.: Kn. 1: Problemy formoobrazovaniya. Mastera i techeniya [Architecture of Soviet avant-garde: In 2 books: Book 1: Form-making problems. Masters and streams]. Moscow: Stroiizdat. Khan-Magomedov, S. O. (2000). VKHUTEMAS: vysshie gosudarstvennye khudozhestvenno-tekhnicheskie masterskie, 1920-1930: Arkhitektura. Derevo. Metall. Keramika. Grafika. Zhivopis. Skulptura. Tekstil: V 2 kn.: Kn. 2 [VKHUTEMAS: higher state artistic and technical workshops, 1920-1930: Architecture. Wood. Metall. Ceramics. Graphics. Painting. Sculpture. Textile: In 2 books: Book 2]. Moscow: Ladya. Mazmanyan, M. (1928). O natsionalnoi arkhitekture [On national architecture]. Na rubezhe Vostoka, 8, 128–136. Paradzhanov, S. (2018). Izolyatsiya [Isolation]. Yerevan. Strzygowski, J. (2018). Die Baukunst der Armenier und Europa. Bde. 1–2. Wien.