Dialogue of сultures: Chinese Baroque Authors Mikhail Bazilevich Pacific National University image/svg+xml Dmitry Tceluiko Pacific National University image/svg+xml Downloads PDF (Russian) DOI: https://doi.org/10.51461/issn.2309-3072/88.2808 Published 2026-06-12 Issue No. 88 (2026): local cultures Section refereed articles License This work is licensed under a Creative Commons Attribution 4.0 International License. How to Cite Bazilevich, M., & Tceluiko, D. (2026). Dialogue of сultures: Chinese Baroque. Project Baikal, 23(88), 188-192. https://doi.org/10.51461/issn.2309-3072/88.2808 More Citation Formats ACM ACS APA ABNT Chicago Harvard IEEE MLA Turabian Vancouver AMA Download Citation Endnote/Zotero/Mendeley (RIS) BibTeX Keywords: China, Russia, Europe, architecture, heritage, baroque Abstract The article presents the materials and results of the study conducted by the authors with the support of the grant of the Russian Science Foundation “Methods for integrating historical building zones and preserving cultural heritage sites in the context of the development of modern cities in northeast China”. The article examines the multifaceted process of interaction between Western European, Russian and Chinese architectural traditions, one of the manifestations of which was the formation of an original movement, which has received the name “Chinese Baroque” in modern scientific literature and found vivid expression in the development of Harbin’s satellite city, Fujiadian. References Bazilevich, M. (2026). Dalian mansions districts: History and modernity. Project Baikal, 23(87), 126–133. https://doi.org/10.51461/issn.2309-3072/87.2751 Ivanova, A. P. & Kradin, N. P. (2014). On the issue of studying the architectural heritage of Harbin: Chinese Baroque. Bulletin of Tomsk State University, 4 (35), 31–40. Kim, A. A., & Luchkova, V. I. (2019). Prerequisites and main stages of the formation of eclectic architectural styles in Guangdong Province (mid-19th – first half of the 20th century). Bulletin of St. Petersburg University. Art Criticism, 9(2), 397–420. Kleutghen, K. (2025) Imperial Illusions: Crossing Pictorial Boundaries in the Qing Palaces. Seattle: University of Washington Press. Kozyrenko, I. S., & Ivanova, A. P. (2017). Formation of architecture in the style of “Chinese Baroque”. In New Ideas of the New Century: Materials of the International Scientific Conference of the Pacific National University (Vol. 1, pp. 128–134). Law, J. (2020). The Jesuits and the Transmission of Baroque Architecture to China. Journal of Jesuit Studies, 7(3), 412–435. Levoshko, S. S., & Kirichkov, I. V. (2017). European architecture and “Chinese Baroque”: Tourist quarters of Daowai District in Harbin. In A.A. Zabiako & G. V. Efendieva (Eds.), Russian Harbin, captured in words (Issue 7, pp. 24–31). Pugacheva, E. A., Kim, A. A., & Varantsovyan, S. G. (2025). “Chinese Baroque” as a result of the fusion of classical Western European canons and traditions of Chinese architecture. Components of Scientific and Technological Progress, 7(109), 31–43. Wang, C. (2023). Preservation and sustainable development of the landscape of the historical and cultural area “Chinese Baroque” in Harbin: Conservation and sustainable development project. Research on Publication and Dissemination, 3(10), 117. Zhang, C., & Chen, C. (2011). A brief analysis of the formal beauty of architectural decorative symbols of “Chinese Baroque” in Harbin. Architecture of Central China, (3), 136–139.