Звериный стиль
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DOI:
https://doi.org/10.7480/projectbaikal.63.1599Ключевые слова:
городской культурный ландшафт, креативный город;, пермский звериный стиль, художественный образ, репрезентация, дизайн средыАннотация
Дается характеристика звериного стиля как историко-культурного и искусствоведческого феномена, выявляются формы подачи его стилизованных образов в городской среде Перми, не утративших семантической нагрузки. Определяются возможности реализации искусствоведческого потенциала стиля в праздничной и массово-досуговой повседневности города. Для анализа используются идеи о креативном городе (Ч. Лэндри) и постулаты теории геокультурного брендинга города (Д. Замятин).
Как цитировать
Дианова, Ю. (2020). Звериный стиль. проект байкал, 17(63), 54–61. https://doi.org/10.7480/projectbaikal.63.1599
Опубликован
2020-03-13
Выпуск
Раздел
refereed articles - рецензируемые статьи
Библиографические ссылки
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Kuznetsova, A.V., & Tetenkina, O.L. (2015). Dymkovskaya igrushka kak element aidentiki (na primere goroda Kirova) [Dymkovo toy as an element of identity (case study of the city of Kirov)]. Sovremennye problemy servisa i turizma [Modern problems of service and tourism]. 4 (9), 131–137.
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Landry, C., & Murray, C. (2017). Psychology & the City: The Hidden Dimension (Illustrated ed.). Gloucestershire, United Kingdom.
Lenclos, J.-Ph. (2004). Colors of the World, W.W. Norton & cy, New York, London.
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Peck, J. (2005). Struggling with the creative class. International Journal of Urban and Regional Research, 29(4), 740–770.
Peck, J. (2007). The Creativity Fix. Retrieved December 1, 2019 from https://www.researchgate.net/publication/237794705_The_Creativity_Fix
Pratt, A.C. (2011). The cultural contradictions of the creative city. City, Culture and Society, 2(3), 123–130.
Prokhanov, A.A. (2012). Chelovek zvezdy: roman [Star man: a novel]. Moscow: Veche.
Serikov, Yu.B. (2012). Kraski i tsvet v ritualakh drevnego naseleniya Urala [Paints and color in the rituals of the ancient population of the Urals]. Narody i religii Evrazii [Peoples and religions of Eurasia], 5, 122-142.
Vildanov, R. F., & Melnichuk, A. F. (2005). Vliyanie syuzhetov Sasanidskogo i Sogdiiskogo serebra na obrazy permskogo zverinogo stilya [The influence of the stories of Sasanian and Sogdian silver on the images of the Perm animal style]. Vestnik Permskogo universiteta: Istoriya [Bulletin of Perm University: History], 5, 66-69.
Voloshinskaya, A. A., & Komarov, V. M. (2017). Opyt realizatsii kreativnogo goroda v Rossii [Experience of implementing a creative city in Russia]. Ekonomicheskii analiz: teoriya i praktika [Economic analysis: theory and practice], 4 (463), 637-648.
Zamyatin, D. N. (2015). Goekulturnyi brending territorii: metodika i metodologiya [Geocultural branding of territories: methods and methodology]. Bibliotechnoe delo [Library science], 4 (238), 5-10.
Davoudi, S., & Zonneveld, W. (2012). Amsterdam: A Multi-Cultural Capital of Culture. Cultures and Globalization. Cities, Cultural Policy and Governance. SAGE Publications Ltd, 145–152
Florida, R. (2003). The Rise of the Creative Class: And How It’s Transforming Work, Leisure, Community and Everyday Life. New York: Basic Books.
Florida, R. (2009). Who’s Your City?: How the Creative Economy is Making Where to Live the Most Important Decision of Your Life. New York: Basic Books
Gladkikh, N.V., Zelentsova, E.V., Melville, E.K. et al. (2010). “Permskii proekt”: kontseptsiya kulturnoi politiki Permskogo kraya [“Perm project”: The concept of cultural policy of the Perm region]. Perm: Agentstvo “Tvorcheskie industrii”.
Kuznetsova, A.V., & Tetenkina, O.L. (2015). Dymkovskaya igrushka kak element aidentiki (na primere goroda Kirova) [Dymkovo toy as an element of identity (case study of the city of Kirov)]. Sovremennye problemy servisa i turizma [Modern problems of service and tourism]. 4 (9), 131–137.
Landry, С. (2000). The Creative City: A Toolkit for Urban Innovators. London: Earthscan.
Landry, C., & Murray, C. (2017). Psychology & the City: The Hidden Dimension (Illustrated ed.). Gloucestershire, United Kingdom.
Lenclos, J.-Ph. (2004). Colors of the World, W.W. Norton & cy, New York, London.
Ovchinnikova, N.N. (2011). “My vse v etom proekte byli stalkerami: intervyu s Eduardom Boyakovym” [Interview with Eduard Boyakov: “We were all stalkers in this project”. Zhurnal SOL’ [Magazine SALT], 6 (9), 18–24.
Peck, J. (2005). Struggling with the creative class. International Journal of Urban and Regional Research, 29(4), 740–770.
Peck, J. (2007). The Creativity Fix. Retrieved December 1, 2019 from https://www.researchgate.net/publication/237794705_The_Creativity_Fix
Pratt, A.C. (2011). The cultural contradictions of the creative city. City, Culture and Society, 2(3), 123–130.
Prokhanov, A.A. (2012). Chelovek zvezdy: roman [Star man: a novel]. Moscow: Veche.
Serikov, Yu.B. (2012). Kraski i tsvet v ritualakh drevnego naseleniya Urala [Paints and color in the rituals of the ancient population of the Urals]. Narody i religii Evrazii [Peoples and religions of Eurasia], 5, 122-142.
Vildanov, R. F., & Melnichuk, A. F. (2005). Vliyanie syuzhetov Sasanidskogo i Sogdiiskogo serebra na obrazy permskogo zverinogo stilya [The influence of the stories of Sasanian and Sogdian silver on the images of the Perm animal style]. Vestnik Permskogo universiteta: Istoriya [Bulletin of Perm University: History], 5, 66-69.
Voloshinskaya, A. A., & Komarov, V. M. (2017). Opyt realizatsii kreativnogo goroda v Rossii [Experience of implementing a creative city in Russia]. Ekonomicheskii analiz: teoriya i praktika [Economic analysis: theory and practice], 4 (463), 637-648.
Zamyatin, D. N. (2015). Goekulturnyi brending territorii: metodika i metodologiya [Geocultural branding of territories: methods and methodology]. Bibliotechnoe delo [Library science], 4 (238), 5-10.